onsdag 14 januari 2015

American Mary (2012): Rape and more Body Horror

I was not originally planning to discuss body horror further, at least not this soon after my review of Contracted (Eric England, 2013). Netflix had other plans. While looking for suggestions, I found another body horror film, also dealing with rape and the destructive and corrupting consequences of rape, but in a different way. For this review, I will discuss the plot in greater detail, so you may want to watch the film before reading any further.

American Mary (Jane Soska & Sylvia Soska, 2012) is about Mary (Katharine Isabelle), a medical student whose financial troubles and excellent surgical skills result in her doing extreme body modification procedures. One notable client is Ruby (Paula Lindberg), a woman who wants to become a doll and asks Mary to remove her nipples and external genitalia. After she is drugged and raped by one of her teachers (David Lovgren), Mary drops out of medical school and starts doing body modifications full time. She also kidnaps her rapist and uses him "for practice", horribly disfiguring him. Her luxurious new life is threatened when an agent starts investigating his disappearance.


While Contracted attemps to show how rape affects the everyday life of the victim, American Mary focuses on how the victim deals with the consequences. When Mary is raped, she loses control over her body and she attempts to regain control by punishing her rapist and stripping him of control by stripping him of various body parts. She also helps others keep control over their bodies by modifying them according to their requests. When Mary asks Ruby (a pre-rape client) why she would want the requested procedure, she explains that dolls cannot be sexually objectified because they lack nipples and genitalia. Ruby wants to make her body her own, and not someone else's object. This feminist line of thought is continued later in the film when Ruby's husband beats her and wants revenge on Mary for taking away his sexual object.

The rape also changes Mary's moral outlook. She enjoys the sadistic punishment she continually inflicts on her rapist, which makes her increasingly less sympathetic to the audience. Even though we know that he is a serial rapist and has witnessed his brutal rape of Mary, the punishment cannot be justified because it is not redemtive for him, rather corruptive for her. Mary becomes a rapist by taking away his control over his body. Let's compare her revenge rape to that of Lisbeth Salander (Noomi Rapace) from The Girl With the Dragon Tattoo (Niels Arden Oplev, 2009). Lisbeth punishes her legal guardian Bjurman (Peter Andersson) for raping her by tattooing "I am a sadist pig and a rapist" on his chest and anally raping him with a dildo. She also blackmails him with a recording of her rape and demands that he leaves her alone. Lisbeth punishes by raping him back, branding him as a rapist to protect other women and releasing herself from his power, enabling her to move on with her life. Mary, on the other hand, does not move on and keeps her rapist as a pet for her to occasionally torture. Lisbeth allows Bjurman to live, with restrictions suitable for a violent sex offender, and checks up on him to make sure he behaves. He is basically on parole. Lisbeth's revenge is justified in motive and in method, while Mary's simply makes her worse. This is why Lisbeth's character is far more sympathetic than Mary's. One could of course argue that Mary's revenge is more satisfying as a fantasy. It is an expression of all her hate towards him and therefore does not have to be constructive, like Lisbeth's.

I have to mention that American Mary has a lot of unnecessary "male gaze" for a film about rape. As you can see from the trailer, Mary herself is often sexualized by the camera. There is, however, often a male character objectifying her in such scenes, allowing the audience to distance themselves from the shot. The rape scene is also decently done. It keeps focus on Mary's and her rapist's faces, alternating between her agony and his hateful lust.

The directors, known as the "Soska Sisters", are big fans of modern horror films and it definitely shows. Therefore I can only recommend this film to horror hound who aren't afraid of uncomfortable gore. Luckily, I am one of those and I really enjoyed it. Watch at your own risk!

torsdag 8 januari 2015

Contracted (2013) and Body Horror

Body horror is a sub-genre of horror fiction which uses our fear of our bodies changing or otherwise becoming alienated from us. Elements of body horror are often used in other types of horror films; in Alien (Ridley Scott, 1979) the titular monster lays its eggs inside its victims and the contemporary "torture porn" sub-genre, with films like Saw (James Wan, 2004) and Hostel (Eli Roth, 2005) and their sequels, wants the audience to fear what someone might do to their bodies. The films mentioned all have an element of someone or something external attacking the body, but today's review will focus on a film where the attack is coming from within. The Fly (David Cronenberg, 1986) and Cabin Fever (Eli Roth, 2002) are other films that use the same approach.

 
Contracted (Eric England, 2013) is about Samantha (Najarra Townsend), a young lesbian, who gets raped at a party and contracts a strange STD, which causes her body to, for lack of a better word, decompose. The transformation is slow and Samantha tries her best to hide the symptoms from her mother, friends, co-workers and her ex-girlfriend, with whom she tries to get back together.


Rape is a common theme in body horror, probably because it represents both violation and loss of control. In Alien, victims are inseminated through an act which could be described as a literal face rape. Samantha's rape in the beginning of Contracted is handled in an interesting way. While the audience sees how the rapist slips Rohypnol into her drink and how she begs him to stop during the act, Samantha seems unsure herself. She is also afraid to tell people, especially her ex-girlfriend who may view it as a drunken one night stand with a man, undermining her sexual identity. You could say that the film gives a realistic depiction of rape, showing both the act and the subsequent shame and fear of not being believed.
Samantha's character is the only remotely likable one in the film. Every other character either judges her harshly, wants to sleep with her or both. This is partially justified as the film focuses on Samantha's point-of-view and her being a rape survivor, this mirrors both her loss of faith in other people and other people's reactions towards her. However, her friends aren't particularly likable characters even before her rape. Additionally, as a result of her disease, Samantha becomes increasingly unlikable as the film progresses. She is still sympathetic, we truly feel sorry for her, but her actions become harder for us to understand and rationalize.

The film has been criticized as "punishing a lesbian for being raped", which I guess is arguably true. I would however rather interpret Contracted as telling the story of the tragic aftermath of a rape. Being raped and contracting a disease not only destroys Samatha's body, but also her relationships.

The film deserves praise for the way it handles a complex and sensitive subject and for Samantha's character development. It also did a great job with the practical special effects, showing Samantha's gruesome physical transformation. Other than that, Contracted is just okay. The ending is a bit predictable and doesn't really mix well with the rest of the film. Still, I think the film is definitely worth watching. It is far from perfect, but unlike most horror films featuring a literal rape it isn't a revenge story, which is kind of refreshing.

As a last note, I would like to comment on how stupid the title is. Why does almost every horror film nowadays have to have these vague one-word titles? Contracted might as well be the story of a contract killer!